As with any creative process, photographers may experience periods when their passion begins to fade. This can be due to monotony, a lack of new ideas, or a feeling that all possible shots have already been taken.

However, there are many ways to regain inspiration and find joy in photography again. Simple changes in approach, learning new techniques and taking a fresh look at familiar things can ignite passion and show unexplored horizons in this amazing art. 

Basic Tips: How to Get Excited About Photography Again

1. Rethinking your style:

One way to regain inspiration is to change your own shooting style. This could be experimenting with new genres or learning other techniques. For example, if you’re used to working in the portrait genre, try landscape or street photography. New challenges will help you look at familiar things in a new way.

2. Training and masterclasses:

Professional development can greatly enhance your interest in photography. Taking part in masterclasses, courses and workshops not only allows you to improve your skills, but also to meet colleagues and share experiences and inspiration.

3. Changing equipment:

Sometimes a new camera or lens can inspire you to create masterpieces. This doesn’t mean you need to spend large sums of money. You can rent or buy used equipment to try something new without spending a lot of money.

4. Travelling and new places:

Travelling always opens up new horizons. Shooting in unfamiliar surroundings allows you to see unique landscapes and moments that can be a source of inspiration.

5. Taking a break from shooting:

Sometimes the best way to fall in love with photography again is to take a pause. Put your camera away for a while and do other things. Taking a break will help you come back to photography with renewed vigour.

New Genres and Techniques

1. Playing with lighting:

Learning new ways of working with light can radically change your work. Using shadows, contrasts or artificial light opens up new horizons for creativity.

2. Black and white photography:

Going back to the classics of black and white photography can help you look at composition and detail in a different way. Black and white images require special attention to light and shapes, which encourages visual thinking.

3. Macrophotography:

Macrophotography opens up a world that remains invisible to the naked eye. By capturing small details of nature or everyday life, you can discover a whole new side of the world around you.

4. Long-term projects:

Working on a long-term project can be a motivation to shoot regularly and develop as a photographer. Choose a subject that excites you and create a series of work that tells a story or explores a particular theme.

Social Interaction and Feedback

Social interaction plays an important role in renewing your passion for photography. Networking with other photographers and getting feedback can inspire new ideas and provide new perspectives on your work.

Exhibitions and Competitions

Participating in photography exhibitions and competitions is a great way to see your work through the eyes of others and receive constructive criticism. It is not only a chance to win prizes, but also an opportunity to evaluate your work against the work of other photographers. Contests can encourage you to experiment creatively and help you assess your skill level.

Photo Clubs and Communities

Joining a photography club or actively participating in online communities can be a source of new knowledge and inspiration. In such communities you can share tips, discuss technical aspects of photography and participate in collaborative projects. Networking with like-minded people not only helps you maintain your interest in photography, but also broadens your vision as a photographer.

Final Thoughts

Photography is not only about technique and capturing moments, but also a never-ending process of self-learning, creativity and self-expression. Going back to the roots of your passion, experimenting with new techniques and approaches, and engaging with your community can reignite your interest and passion for photography. 

Explore new horizons, don’t be afraid to try new things and share your experiences with others. This will not only improve your skills, but also enrich your inner world by finding new sources of inspiration. 

Find what you care about and let your creative spirit express itself freely through every shot.

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Many people choose a career as a photographer because of its flexibility and opportunity for self-expression, akin to how non UK licensed casinos offer unique gaming options. However, to become successful in this field, you need to work hard and constantly improve your skills.

Photography as a profession attracts many people because of its creative freedom and the opportunity to express oneself. Becoming a successful photographer is not as easy as it may seem at first glance. It requires not only talent and technical skills, but also the ability to run a business and constant self-development.

Starting a Career in Photography

1. Invest in yourself:

The first step to a successful photography career begins with investing in your own education and equipment. It is necessary to purchase quality photographic equipment that will allow you to bring creative ideas to life. At the initial stage, you can ask for help from family or use personal savings, for example, money received on your birthday.

2. Practice:

Regular practice is the key to mastery in photography. You should not wait for the first client to appear to start working. It is important to constantly improve your skills, experiment with different genres and shooting techniques. A lot of useful information can be found on the internet, including tutorial videos on image processing and lighting.

Creating a Portfolio

To attract clients, you need to have a portfolio that showcases your work style and level of professionalism. Creating your own website can greatly increase the visibility of your work. Platforms such as Squarespace provide convenient tools to do this. 

Your portfolio should include a variety of work that shows your versatility and ability to work in different genres. This can range from studio shoots to street photography, portraits or landscapes. It is important to update your portfolio regularly, adding new work and deleting old or less successful images, so that you are always showing your current level of skill.

Editing Tools

Today’s photographers rarely go without post-processing their images. Adobe Photoshop and Adobe Lightroom are the industry standard for photo processing. These programs offer extensive options for enhancing images and customising them to meet the needs of clients. Special discounts on Adobe Creative Cloud subscriptions are available to students, making these tools more affordable.

Education and Self-Education

1. Learning through the internet:

Most of the knowledge today’s photographers draw from the internet. YouTube and various educational platforms such as Skillshare provide extensive resources for learning photography and videography. These resources can help you learn new techniques and approaches to your work. Using online platforms allows photographers to learn at a time and pace that suits them, making learning as effective as possible.

2. Experience:

In addition to theoretical knowledge, practical experience is important. Working on various events and projects will help you gain the necessary experience and learn many nuances of the profession that cannot be learnt solely from books or video lessons. Direct participation in photo shoots allows photographers to better understand how to control light, composition and timing, which are key elements in creating high-quality images.

Challenges of the Profession

A career as a photographer requires not only creative but also entrepreneurial skills. Managing your time, finding clients and maintaining a high level of quality work are important aspects of a successful career. 

Constant self-development and a willingness to take on new challenges will help you stay marketable. The following are the main challenges faced by professional photographers:

• Constant learning: Photography is rapidly evolving and one needs to keep up with new technologies and trends.
• Competition: The market for photography services is oversaturated and it can be difficult to stand out among other talented photographers.
• Unstable income: A photographer’s income can vary greatly depending on the season and economic situation.
• Client demands: Sometimes clients may make unreasonably high demands or expect unrealistic results in a short period of time.
• Emotional burnout: Working intensively on multiple projects can lead to fatigue and loss of creative motivation.

Conclusion

Becoming a successful photographer is a journey that requires time, effort and constant self-improvement. Investing in training, regular practice, building a quality portfolio and using professional photo processing software are the main steps along the way. Over time, building on the knowledge and experience gained, you can achieve significant success and recognition in the profession.

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Understanding Expression

Before we dive into the nitty-gritty of techniques, let’s talk about what expression really means. Think about it: our faces are like emotional canvases, showing everything from happiness and enthusiasm to sadness and deep thought. So, if you’re an artist focusing on portraits, your main aim is to capture these feelings in a genuine way. 

And to do that, you’ve got to have empathy and keen observation skills. Take the time to really look at your subjects’ faces, notice the little shifts in expression, and understand what they’re feeling underneath it all. That’s the key to creating truly captivating portraits.

Composition and Framing

When you’re taking someone’s picture, how you set up the shot is super important. It totally affects how the picture feels and how it hits you. Try out different ways of framing the person to make the picture really pop. One rule to keep in mind is the rule of thirds. 

Basically, instead of putting the person smack dab in the middle of the picture, you shift them a bit to the side. It makes the whole thing more interesting to look at. Also, think about what’s going on in the background. If it’s too busy, it can take away from the person you’re focusing on. But if it’s simple or kinda blurry, it helps keep the attention right where it should be—on their face.

Lighting

When you’re taking someone’s picture, how you light them up is super important. It totally changes the vibe and feel of the photo. Try out different ways of lighting, like using sunlight, professional studio lights, or a mix of both. Soft, gentle lighting usually makes people look their best because it smooths out any harsh shadows and bright spots. 

Think about where the light is coming from because it can really shape the person’s face and bring out their emotions. You can also play around with reflectors or diffusers to tweak the light and get the look you want.

Focus and Depth of Field

Using selective focus helps you highlight the subject’s face, making the viewer feel closer to them. Try out different apertures to control how much of the background gets blurred while keeping your subject nice and clear. A smaller aperture creates a soft, dreamy vibe, while a larger one gives more detail and context. Pick the right aperture to match the mood and style you want for your portrait.

Capturing Emotion

To really capture the beauty of expressive faces, it’s all about building a connection with the person you’re photographing. Make sure they feel comfortable and relaxed by creating a chill atmosphere. 

Chat with them, get them talking, and let their natural expressions shine through. Keep an eye on their body language and facial cues – they can tell you a lot about what they’re feeling. Take your time, be patient, and wait for that magical moment when their expression perfectly reflects who they are.

Post-Processing

Editing your portraits after shooting can really bring out the vibe and make them stand out. But don’t go overboard with it. Too much editing can make your subject look totally fake. Instead, go for small tweaks in things like color, contrast, and tone. That way, you can enhance the overall feel and vibe of the picture. Try out different editing tricks until you find a style that matches what you had in mind and looks good to you.

Practice and Patience

Just like learning any craft, getting really good at drawing portraits requires patience and dedication. If you mess up or things don’t go perfectly at first, don’t sweat it. Keep trying new things and practicing regularly. Look at the work of experienced portrait artists to get ideas and tips. And always keep in mind that every face has its own tale to tell, and your job is to capture that tale as genuinely as you can.

Conclusion

Taking pictures of people’s faces well requires knowing how to use your camera, thinking creatively, and understanding feelings. If you learn about how to arrange your picture, use light well, and keep things sharp, and if you talk to the people you’re photographing, you can make pictures that feel real and meaningful. Be kind and interested when you’re taking someone’s picture, so their true self shows in the photo. If you keep trying and don’t give up, you can get really good at taking pictures of people and make images that show what it means to be human for a long time.

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The Language of Visuals

People always talk about how photos are super strong. Words are okay for expressing thoughts, but there’s something special about pictures. Our brains understand pictures really fast, much quicker than words. When we look at a photo, our brains quickly understand it, and suddenly, we feel lots of different feelings all together.

Photographers are like emotion wizards, using their talent to craft images that stir up all sorts of feelings. They play with things like lighting, color, how they arrange things in the frame, and what they actually capture to make pictures that really hit you in the feels. When you see the pictures on safe-casinos.ie, you immediately want to check out the online casinos and try what they offer. 

Emotion in Photography

Pictures can really hit us right in the feels because they bring out emotions in us. It’s those small things that do it – like a genuine smile, the gentle light coming through, or how the picture is put together – they all make us feel something. A good photographer knows how to use these things to make us feel a certain way when we look at their photos.

Imagine this: Remember when you come across a picture of a sunset, and it just makes you feel all warm and fuzzy inside? It’s like being wrapped in a snug, nostalgic blanket of calmness and serenity. But then, take a look at a black and white photo where the difference between light and dark is strikingly bold. It brings a completely different atmosphere, doesn’t it? It might stir up some intense emotions, perhaps even a hint of sadness or tension.

People who take pictures can make us feel different things when we look at them. They know how to show us exactly what we need to see to feel something. It’s like they’re using light and darkness to create feelings in us when they take a picture.

Memories Through the Lens

Photos are like little pieces of magic. They have this amazing ability to bring memories flooding back and make us feel all sorts of emotions, especially nostalgia for times gone by. It’s incredible how just looking at one photo can transport us back to a specific moment, reviving memories and feelings we might have tucked away. Whether it’s an old family snapshot or a picture of a special place we visited, photos are like tangible time capsules that help us hold onto the past.

Photos do more than just remind us of our own experiences; they also hold onto our shared past and cultural legacy. Remember those famous pictures from big moments like when humans first stepped on the moon or when the Berlin Wall came down? They tug at our emotions and represent what we’ve all been through together. These images stick with us, influencing our perspectives on the world and our place in it.

Photography as Therapy

Besides just being a way to talk and remember stuff, taking pictures can really touch your heart and help you feel better. Lots of people find snapping photos is like a kind of therapy—it helps them deal with tough feelings. When you take pictures, it’s like diving into your own thoughts and emotions in a cool, safe way. It can help you understand yourself better, deep down inside.

Using photography as a form of therapy, also called phototherapy, is becoming more widely accepted as a helpful way to deal with different mental health challenges like feeling down, anxious, or dealing with trauma. When people get involved in taking photos, they can turn their inner struggles into something visible, which helps them see things from a different angle and understand their feelings and experiences better. So, photography isn’t just about capturing moments, it’s also about finding healing and learning more about ourselves.

Conclusion

In our busy world filled with so many things to see, photos stand out by reaching right into our hearts. They have this amazing knack for stirring up feelings and memories, becoming powerful ways for us to express ourselves and find comfort. Whether it’s freezing a breathtaking sunset or preserving a momentous occasion in history, photos have this magical way of linking us to our emotions, our past, and to each other. As we keep diving into how photography and emotions connect, we learn more about ourselves and the world, all through one captivating image after another.

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Focusing the Lens on Cinematic Captures

Movies about photography often serve as a lens through which we can appreciate the art and craft of capturing moments frozen in time. These films go beyond the technicalities of the profession, delving into the emotional and transformative power of a single photograph. From classics like “Blow-Up” to contemporary gems like “The Secret Life of Walter Mitty,” these movies provide a visual feast while narrating stories that explore the human experience through the eyes of a photographer.

Emma Watson – Beyond Hermione Granger

Emma Watson, known for her iconic portrayal of Hermione Granger in the Harry Potter series, has transcended her wizarding roots to establish herself as a versatile and accomplished actress. Beyond her acting prowess, Watson is recognized for her advocacy work, particularly in promoting gender equality and environmental sustainability. As we explore Emma Watson’s net worth, it becomes evident that her success extends beyond the magical realms of Hogwarts.

Emma Watson Net Worth

As of the latest available information, Emma Watson net worth is estimated to be around $80 million. Her journey to financial success began with the monumental success of the Harry Potter franchise, where she portrayed the intelligent and resourceful Hermione Granger. The series not only catapulted Watson to international fame but also contributed significantly to her early financial success.

Post-Harry Potter, Watson strategically diversified her career, taking on roles in critically acclaimed films such as “The Perks of Being a Wallflower” and “The Bling Ring.” These projects showcased her acting range and established her as a force to be reckoned with in the film industry. Additionally, Watson’s involvement in Disney’s live-action adaptation of “Beauty and the Beast” proved to be a massive box office success, further bolstering her financial standing.

Beyond acting, Emma Watson has been an advocate for social and environmental causes. Her role as a UN Women Goodwill Ambassador and her involvement in initiatives like the HeForShe campaign underscore her commitment to effecting positive change in the world. While her net worth is undoubtedly influenced by her acting career, Watson’s dedication to philanthropy and activism showcases a more profound commitment to making a meaningful impact.

The Art and Business of Photography in Cinema

Movies about photography not only entertain and inspire but also shed light on the business aspects of the craft. These films explore the challenges and triumphs of photographers as they navigate the art and commerce of capturing images. From the struggle for recognition in “Finding Vivian Maier” to the blurred lines between art and exploitation in “Pecker,” these movies provide a nuanced understanding of the complexities inherent in the world of photography.

Emma Watson’s Entrepreneurial Ventures

Beyond her acting career and advocacy work, Emma Watson has ventured into entrepreneurial pursuits, further contributing to her impressive net worth. She played a pivotal role in launching the sustainable fashion brand “People Tree” and collaborated with major fashion houses for environmentally conscious collections. Watson’s commitment to ethical and sustainable fashion aligns with her broader advocacy for a more eco-friendly and equitable world.

In addition to her involvement in the fashion industry, Watson has taken on executive roles in film production. Her involvement as an executive producer in films like “Little Women” demonstrates a keen interest in shaping narratives both in front of and behind the camera. These entrepreneurial ventures not only showcase Watson’s business acumen but also contribute to the diverse portfolio that shapes her overall net worth.

In conclusion, the intersection of movies about photography and Emma Watson’s net worth offers a fascinating exploration of two distinct yet interconnected realms. Movies about photography serve as windows into the art and business of capturing moments, providing audiences with a deeper appreciation for the craft. Simultaneously, Emma Watson’s journey from the magical world of Harry Potter to her current status as a renowned actress, activist, and entrepreneur exemplifies the multifaceted nature of modern stardom.

As we celebrate the visual storytelling in films like “Blow-Up” and the entrepreneurial spirit of Emma Watson, it becomes clear that success in the creative industries is often a harmonious blend of passion, talent, and strategic choices. Whether through the lens of a camera or the lens of a character, both movies about photography and Emma Watson’s net worth remind us that every frame tells a story, and every success is a culmination of diverse and impactful chapters.

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The Secret Life of Walter Mitty (2013)

One of the most visually stunning movies about photography is “The Secret Life of Walter Mitty,” directed by and starring Ben Stiller. The film follows the life of Walter Mitty, a daydreamer who escapes his mundane reality through vivid fantasies. When he embarks on a real-life adventure to track down a missing negative for the final issue of Life magazine, the movie seamlessly weaves together breathtaking landscapes and awe-inspiring photography. The narrative not only celebrates the beauty of capturing moments but also emphasizes the transformative power of embracing one’s passions.

Blow-Up (1966)

Michelangelo Antonioni’s “Blow-Up” is a classic film that delves into the enigmatic world of fashion photography in swinging 1960s London. The protagonist, a fashion photographer played by David Hemmings, inadvertently captures a mysterious incident while shooting in a park. The film explores themes of perception, reality, and the ambiguity of images, making it a thought-provoking exploration of the relationship between photography and truth. “Blow-Up” remains a timeless piece that continues to influence filmmakers and photographers alike.

Pecker (1998)

Director John Waters takes a quirky and humorous approach to the world of photography in “Pecker.” The film follows Pecker, a young amateur photographer with a knack for capturing the eccentricities of his Baltimore neighborhood. As his work gains unexpected fame, Pecker grapples with the intrusion of his private life into the public sphere. Through a satirical lens, the movie comments on the fine line between art and exploitation, offering a humorous take on the consequences of sudden photographic fame.

Finding Vivian Maier (2013)

Moving into the realm of documentary filmmaking, “Finding Vivian Maier” is a captivating exploration of the life and work of the mysterious street photographer Vivian Maier. Directed by John Maloof and Charlie Siskel, the documentary unravels the story of a nanny whose extraordinary photographic talent was only discovered posthumously. Through Maier’s evocative images and interviews with those who knew her, the film raises questions about the nature of artistic recognition and the complexities of an artist’s legacy.

The Role of Photography in Shaping Narrative

Movies about photography often go beyond showcasing the technical aspects of the craft. They delve into the profound ways in which photography shapes narratives, influences perspectives, and captures the essence of human experiences. These narratives explore the power dynamics involved in both taking and being the subject of a photograph, providing viewers with a deeper understanding of the complexities inherent in this visual art form.

Photography as a Metaphor for Self-Discovery

Several films use photography as a metaphor for self-discovery and personal transformation. The act of capturing moments on film becomes a journey of introspection and growth for the characters, mirroring the inherent transformative power of the art form itself. Whether through fantastical adventures like in “The Secret Life of Walter Mitty” or the more introspective exploration in “Blow-Up,” these movies highlight the profound impact photography can have on an individual’s perception of themselves and the world around them.

Movies about photography provide audiences with a unique perspective on the art form, exploring its technical aspects, its ability to shape narratives, and its profound impact on self-discovery. From visually stunning narratives like “The Secret Life of Walter Mitty” to thought-provoking classics such as “Blow-Up,” these films celebrate the beauty and complexity of photography. Whether fiction or documentary, these movies continue to inspire audiences to appreciate the artistry behind the lens and reflect on the stories that photographs can tell. As we continue to evolve in the digital age, the intersection of cinema and photography remains a fascinating subject that will undoubtedly inspire future filmmakers and photographers alike.

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The emergence and development of photography in the sixteenth and early nineteenth centuries. Approaches to the problem described above can be found in the works of medieval alchemists. One of them, Fabricius, once mixed table salt with a solution of silver nitrate in his laboratory and obtained a milky white precipitate that turned black in the sunlight.

Fabricius investigated this phenomenon and in his book on metals, published in 1556, he reported that he had used a lens to obtain an image on the surface of the precipitate, now known as silver chloride, and that the image turned black or gray depending on the duration of exposure to sunlight. This was the first experiment in the history of photography. In 1727, Johann Schultz, a physician from Halle, conducted experiments on a sunny day with a solution of silver nitrate and chalk, which he exposed to the sun in a glass vessel.

When the vessel was exposed to sunlight, the surface of the mixture immediately turned black. When shaken, the solution turned white again. Using pieces of paper, Schultz created silhouettes on the surface of the liquid, destroyed them by shaking, and created new patterns. These original experiments seemed to him to be just fun, and another hundred years passed before the property of silver chloride he had noticed was realized and used in the manufacture of photographic plates.

The next page in the history of photography is associated with the name of Thomas Wedgwood.

He put plant leaves on paper moistened with a solution of silver nitrate. The part of the paper covered by the leaves remained light, while the illuminated part turned black. The result of this experiment was a white silhouette on a black background. However, these images could only be viewed by candlelight, because they were damaged by sunlight. Wedgwood tried to soak leather with the solution and found that images appeared faster on it. At the time, this phenomenon remained unexplained. It was only in the late 30s of the nineteenth century that it was found that the tannic acid contained in the leather significantly accelerated the appearance of the image. In 1802, Wedgwood published the results of his experiments. Gradually, he learned how to obtain contour images on paper, leather, and glass: within three minutes when exposed to the sun, and within several hours when exposed to the shade. But these images could not tolerate sunlight because they were not fixed. It was not until 1819 that John Herschel found a substance that strengthened the photographic image.

On August 10, 1839, a large meeting was held in Paris with the new members of the Academy of Sciences. It was announced that Daguerre had discovered a way to develop and fix photographic images. The news was shocking to contemporaries. The whole world was discussing the possibilities opened up by this new achievement of human thought. The French government bought the secret of Daguerre’s invention and granted him a lifetime pension of 6,000 francs. Neps’s son was not forgotten either. Soon, kits for photographing using Daguerre’s method (this method became known as daguerreotyping) were on sale.

Despite the high price, they were sold out in a short time. But soon the public felt a strong cooling towards this invention.

Improvement of the doctrine of photography. Daguerreotyping, although it gave good results, required a lot of work and a lot of patience.

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Also, references are used to find inspiration.

Probably, every photographer has faced a situation when you need to shoot an object quickly, there is no time for “labor” of creative ideas, and you don’t want to publish frankly weak pictures. This is especially true in subject photography (at least for me). Pinterest can help you. See what interesting things have already been shot on your subject and don’t be shy. In my opinion, it’s better to build on someone else’s idea than to shoot something you don’t like. But here you need to realize that in commercial filming, blatant plagiarism can lead to conflict with the copyright holder.

There’s nothing wrong with plagiarism at the learning stage – it’s a great way to develop. When you replicate an interesting solution, questions like “how did you do that?”, “how did you get the flare to be that shape?” and so on arise during the shoot. Finding answers to such questions increases your skills. In addition, you may get your own ideas based on what you see. In commercial photography, of course, it is always better to use original ideas.

Intentionality
Looking at beautiful images makes sense not only when preparing for a shoot. I believe that for a photographer it is a mandatory daily exercise. The more interesting creative solutions you see, the more likely your mind on set will create an interesting shot. As Ansel Adams said, “You don’t make a photograph with just a camera. You bring all the pictures you’ve seen, the books you’ve read, the music you’ve heard, the people you’ve loved into the shooting process.”

Watch movies like a photographer, paying attention to light, color correction, and composition. Create yourself a feed, such as Instagram, of photographers whose work you follow. It’s better if they are people from other countries. Not because they shoot better there, we also know how to shoot, but because through the distance we get information about the best ones. Well, and, of course, study the works of world classics. Any musician knows composers, a good engineer knows famous designers, and a good photographer knows leaders in his field.

Cultural level – the ability to allusions
The higher your cultural level – the more quotes and allusions you can use in your work. When you do this – the viewer becomes interested in solving your shot like a crossword puzzle. The ability to work in this way is valued more than simple “straightforward” images in both art and commercial photography.

Critical thinking or the ability to see through the eyes of the viewer
As a rule, the picture we take is a logical extension of our thoughts. For example, on the seashore we smell the smell, hear the sound of the surf, we have the whole panorama we have seen and absorbed drawn in our minds. Life is beautiful. On the right “blaze” fiery clouds colored by sunset light, on the left the disk of the sun goes behind a cloud. Of course, in the 21st century, we want to urgently share these feelings on Instagram. We take out our phone and make a “masterpiece”. We, however, did not take into account that the camera of our phone has a wide angle of view, and the sun looks small, the dynamic range is also small and in the foreground instead of a beautiful textured rock shapeless dark spot.

The ideology of love for details and striving for maximum quality level
The neater the frame looks, the more pleasant and interesting it is for the viewer. By neatness I don’t mean rows of something lined up, but the absence of visual garbage. Notice every detail in the frame and try to remove all the unnecessary. Frames come out more interesting in those who sincerely enjoy the process of creating a picture in which every little thing in its place. It is important for a photographer to accept the maximum level of quality as a life ideology. I think it is unlikely that you can be a slob at home and always come to a shoot with charged spare batteries and keep a close eye on everything that happens in the frame. To make it work, you need to “catch” the individual pleasure of having everything done right, no matter what you do.

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If the owner of a camera takes on jewelry, pregnant girls and children’s matinees, he may have two reasons. The first one is that he needs money and is earning as much as he can. The second is that he is an aspiring photographer who has not yet decided what he is interested in.

Each genre has its own nuances. For example, when shooting food – water droplets are imitated with glycerin, and chocolate can be imitated with goutaline. If you try to beautifully lay out the drops – water will just spread, and glycerin is more viscous and in the frame is not distinguishable from water.

You can progress slowly as a photographer, shooting a reportage today, a wedding tomorrow, and a meal the day after that. Or you can move much faster, making efforts in one direction.

Another reason for specialization is the psychotype of the photographer. One likes dark tonality, harsh images and brutal, the other tenderness all light and ruffles. The first will be excellent athletes, but with ideas for pregnant girls will be difficult. But the second, just with pregnant women shooting will go easier.

I suggest you choose for yourself the direction in which you will develop over the next year and study the nuances associated with it.

If you don’t know what to choose, because everything is so interesting – make a selection of a hundred photos and see what there is more of. If there are more landscapes, maybe it makes sense to pay more attention to the nuances of this particular genre in the near future.

Alternatively, you can spend a day exploring each of the genres below. Perhaps one of them will “hook” you more than the others.

Genres of Photography:

• Landscape Photography
• Beauty
• Fashion
• Portrait Photography
• Street-photo
• Documentary photography
• Photojournalism in general and reportage photography in particular
• Travel photography (Travel – photography)
• Food photography (food-photography)
• Subject photography
• Family photography
• Nude
• Pet photography
• Wildlife photography
• Macro nature photography
• Architecture Photography
• Interior photography
• Shooting for interior photography (for architects)
• Conceptual photography for galleries, exhibitions and museums
• Stock Photography
• Underwater photography
• Astrophotography
• Microphotography

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What is stiffness of light

There can be a sharp transition from light to shadow between light and dark in a photograph, or there can be a gradual one. In a gradual one, at the border of the transition, the shadow smoothly becomes lighter and “blends” into the light area.

The harshness of light is the extent to which this boundary is clearly delineated or smoothly transitions into the light area.
In hard light, the boundary is clearly visible.
In soft lighting, you can’t tell where the lighted area ends and the shadow area begins. The transition in this case is smooth.

In theory, there is no clear mathematical division of light into hard and soft. It’s like with two hairs: two on your head is not enough, but two in the soup is a lot. You have to look at a particular scene and decide whether we need softer or harder light.

Hard light emphasizes the advantages, but also “pulls out” all the flaws of a person. It is more demanding to the beauty of proportions of the model. It is easier to work with soft light at the initial stage.

The rigidity of light depends on two parameters:

• The area of the light source.
• Distance to the source.

The larger the area of the source and the closer the source is to the model, the softer the light.

The sun is a huge source of light, but is so far away that it becomes one of the harshest sources. But if the sun is hidden, the clouds act as a diffuser and the entire surface of the cloud shines. In cloudy weather we get a soft light with which it is easier to shoot everyday scenes. But if we want (and understand how) to use light and shadow pattern in the composition of the frame, creating a separate shape with shadows (as in the photo below), in this case we can’t do without hard light.

The perception of a photo is also affected by its tonality. Cute cute subjects show, as a rule, in a light tonality. Without dark spots in the frame and deep shadows. And when the photographer wants to show a gloomy mood, he often uses dark tonality and shadows in the frame become deep, dark. So, we have come to the question of how to adjust the depth of shadows. With one source we will create a light and shadow pattern, with the other we will shine light on the shadows to make them not so dark.

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